Dave Polus. Capacity by Big Thief. One of the most honest records I have ever heard. This band is a very special band indeed. Jacob Simons. Beatmaker by Matt Berry featuring Emma Noble. Strangers by Jesse Adelman. The Time of the Foxgloves by Michael Hurley. Homespun and celebratory, the folk icon's newest album is a summer porch party translated to sound. Bandcamp Album of the Day Dec 17, Punisher by Phoebe Bridgers. This album blew up in , and I was a little late to it, but I've been incredibly impressed by its staying power.
A wonderful example of a record becoming a sensation that also holds up as a wonderful artistic statement. Bridgers just impresses more and more. Bryce Cannatelli. Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music.
Get fresh music recommendations delivered to your inbox every Friday. Vultures Await by Will Johnson. James Kilpatrick. James Kilpatrick Brilliant album I could listen to daily. Such a mellow vibe throughout. His voice is very hypnotic and quite battle tested. It blends toughness with vulnerability with precision. Favorite track: Fly, My Sweet Dove. Sunny The best track.. Nothin' but Godzilla.. Mack Hooligan. Interestingly, the version on the CD is backed by piano, whereas the one I heard was played on guitar.
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My Profile. Advanced Search. Vultures Await Review by John Schacht. Track Listing. Catherine Dupree. Vultures Await. Just Some Silence. It could be his Heartbreaker.
You can almost see the piano: It sits in some corner room of an old church in a small Texas town. It's an upright, with a finish that's scuffed and scarred.
A few keys are yellowed and cracked, others are missing their ivories, revealing the diagonals of glue beneath. The lowest G-sharp key is gone. The pedals are loose, the upper registers stick, and the lower registers sound fuzzy, so the best-- or least bad-- sound comes from the middle range. This image is most likely false, a romantic projection of the piano's precarious tones.
However it looked and wherever it stood, Johnson must have fallen in love with the instrument, as it's the centerpiece of the first three songs of his new solo album, Vultures Await. The piano is his only accompaniment on "Catherine Dupree", about a woman who burns down her alma mater, and the starkness of the arrangement works well with his bedraggled voice. But Johnson is a fickle artist, and by the fourth song, he's picked up his acoustic guitar again and left the piano alone.
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